Audition Information


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to other theatre companies and resources in our area.  If you would like your link included here, please contact us.

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Audition Information for

Any Manchester School District student in grades 8 thru 12 is eligible for participation in this production.

 

Audition Information for Crimes of the Heart

                WHEN

·      Thursday, September 11, 2008.  4pm to approx. 7pm.

·      Call-Backs (if necessary) on Friday, September 12, 2008.  4pm to approx. 5:30pm.

A Cast List will be posted on Monday, September 15, 2008 on the Call Board outside the side entrance to the Auditorium and on our web site sometime over the weekend prior to that.  Participants should be present for the whole audition if possible.  If anyone cannot make either of those dates, please contact Mr. Benner as soon as possible before auditions to make other arrangements.  No one will be allowed to audition after September 12.

                WHAT TO PREPARE

Anyone interested in a role must memorize and perform a monologue from the selections provided on our website.  There are no exceptions to this rule.  For this production, all monologues must be prepared and delivered with a Southern accent.  Be sure to read and understand the instructions on the monologue page.  Dress comfortably.

Those interested in auditioning for the role of Meg Magrath will be asked to sing a short, simple accapella song.

Call-backs may involve reading of some selected scenes from the play, as well as some physical activity and movement.

                REHEARSAL SCHEDULE (anything in red is MANDATORY, no exceptions)

·      MANDATORY:

·      First Read-Thru:  4pm to 7pm, Monday, September 15, 2008.

·      Tech/Dress Rehearsals:  4pm to 8pm, Nov 10 through Nov 14, 2008. (Trailer filming will happen one of these days after rehearsal until about 10ish)

·      Final Tech/Dress:  4pm to 8:30pm, Nov 17 & 18, 2008.  (Photo shoot after rehearsal on Nov 18 until about 9:30ish)

·      REGULAR SCHEDULE:

·      4pm to 6:30pm, three days a week from September 15 thru to the first week of Mandatory Tech/Dress Rehearsals in November.  The actual days of rehearsals will be determined after casting to work around schedule conflicts of those cast.  There may be some rehearsals scheduled on no-school days or Saturdays depending on the needs of the rehearsal progress.

·         Rehearsals scheduled on no school days, as well as any cancellations or reschedules due to weather will be posted on the call board and the website if and when needed.  Appropriate cast and crew members will be notified via text message in the event of rehearsal cancellations as well.

Once rehearsal begins on September 15, all schedules for rehearsals, set construction, production meetings, etc. will be posted on our web site and on the call board outside the side entrance to the Auditorium at least two weeks in advance, usually three.  Changes, additions, or revisions to rehearsal and/or production schedules will be discussed with the appropriate personnel when and if the need arises.

                PERFORMANCES

·      MANDATORY

·         Wednesday, Nov 19, 2008.  Call at 1:30pm.  Curtain at 3 pm

·         Thursday and Friday, Nov 20 & 21, 2008.  Call at 5:30pm.  Curtain at 7 pm.

·         Strike after performance on Friday is Mandatory for everyone (strike breakfast afterwards).

                COMMITMENT

·      Anyone cast in this production will be asked to become an active member of the company within 2 weeks of being cast, if not one already.  To become an active member of Theatre Knights, a $15 dues donation should be paid to Mr. Benner or the Company Agent.  All dues donations go toward production costs.

·      Everyone cast in the show must work an additional 10 hours in an area of business or production.  These areas include fundraising, publicity, set, properties, etc.  Failure to do so will be taken into consideration for further participation and eligibility for ITS points.

·      Think seriously whether or not you are prepared to make the necessary commitment to this production. At auditions, you will be asked to fill out an audition form.  Pay particular attention to the section asking for any days/dates/times you know you will be unavailable for rehearsal.  If cast, you will be expected to be there if the time was not indicated on your audition form.

MONOLOGUES

ANYONE AUDITIONING FOR ROLE MUST MEMORIZE ONE (1) OF THE FOLLOWING MONOLOGUES.  There can be no substitutions.  It isn’t so important that you give a “correct” performance, as it is that you give an honest and heartfelt one.  It is important, also, to know the meanings and pronunciations of words in the monologue.  You must chose a gender specific monologue.  All Monologues must be prepared and delivered with a Southern accent.

MONOLOGUE 1 (female).

Listen, Lenora, I think it's pretty accurate to assume that after this morning's paper, Babe's gonna be incurring some mighty negative publicity around this town.  And Meg's appearance isn't gonna help out one bit.  She had a loose reputation in high school.  She was known all over Copiah County as cheap Christmas trash, and that was the least of it.  There was that whole sordid affair with Doc Porter, leaving him a cripple.  His mother was going to keep me out of the Ladies' Social League because of it.  That's right.  I never told you, but I had to go plead with that mean, old woman and convince her that I was just as appalled and upset with what Meg had done as she was, and that I was only a first cousin anyway and I could hardly be blamed for all the skeletons in the Magrath's closet.  It was humiliating.  I tell you, she even brought up your mother's death.  And that poor cat.  I'm telling you if Mrs. Porter hadn't developed that tumor in her bladder, I wouldn't be in the club today, much less a committee head.  Anyway, you be a sweet potato and wait right here for Meg to call, so's you can convince her not to come back home.  It would make things a whole lot easier on everybody.  Now don't you think it really would?

MONOLOGUE 2. (female)

Good morning!  Good morning! Oh, it's a wonderful morning!  I tell you, I am surprised I feel this good.  I should feel like hell.  By all accounts, I should feel like utter hell! (sings a little aloud to herself)  Well, what's wrong with you two?  My God, you look like doom!  Oh, I know, you're mad at me 'cause I stayed out all night long.  Well; I did!  Oh, Lenny, listen to me; now, everything's all right with Doc.  I mean nothing happened.  well, actually a lot did happen, but it didn't come to anything.  Not because of me, I'm afraid.  I mean, I was out there thinking, "What will I say when he begs me to run away with him?  Will I have pity on his wife and those two half-Yankee children?  I mean, can I sacrifice their happiness for mine?  Yes!  Oh, yes!  Yes, I can!"  But...he didn't ask me.  He didn't even want to ask me.  I could tell by this certain look in his eyes that he didn't even want to ask me.  Why aren't I miserable!  Why aren't I morbid!  I should be humiliated!  Devastated! Maybe these feelings are coming--I don't know.  But for now it was...just such fun.  I'm happy.  I realized I could care about someone.  I could want someone.  And I sang!  I sang all night long!  I sang right up into the trees!  But not for Old Granddaddy.  None of it was to please Old Granddaddy!

MONOLOGUE 3. (male)

Well, possibly it would help you to know that I graduated first in my class from Ole Miss Law School.  I also spent three different summers taking advanced courses in criminal law at Harvard Law School.  I made A's in all the given courses.  I was fascinated!  And even now, I've just completed one year working with Jackson's top criminal law firm, Manchester and Wayne.  I was invaluable to them.  Indispensable.  They offered to double my percentage, if I'd stay on; but I refused.  I wanted to return to Hazlehurst and open my own office.  The reason being, and this is a key point, that I have a personal vendetta to settle with one Zackery F. Botrelle.  Just between the two of us, I not only intend to keep that sorry S.O.B. from ever being re-elected to the state senate by exposing his shady, criminal dealings; but I also intend to decimate his personal credibility by exposing him as a bully, a brute, and a red-neck thug!  I know I must sound a little passionate, to say the least, about all this, perhaps a bit outspoken.  But, for some reason, I feel I can talk to you...those songs you sang.  Excuse me, I feel like a jackass. 

MONOLOGUE 4. (male)

Who knows why she feels like she does about me.  That Tuesday night, she, ah, called me to come pick her up from the hospital.  We were driving home.  It was raining.  She was upset, but, ah, but she still looked, you know, good.  And for some reason, I started telling her how the first time I'd seen her, when she was playing her violin at the pancake supper.  I said she looked like some sort of wild, frightened angel, ripping up that violin with her black eyes blazing.  Then, ah, she starts crying.  She told me to pull the car over.  I did.  Well, I don't know.  Nothing had ever happened, that way, between us before, and I felt funny kissing her, holding on to her hair.  You know, with her husband there paralyzed in the hospital and with her all in distress.  Seemed like maybe I was taking advantage of a situation or something; and so I left.  I just took off.  Walked home in the storm.  Stepped in some damn cow patties, leaving her there in the car--alone--wanting somebody; needing something.  God, what a jerk.  No wonder she hates me.

 


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Theatre Knights
9 Notre Dame Avenue, Manchester, New Hampshire  03102
phone: (603) 582-1253  fax: (603) 628-6153
Troupe #5559 of the International Thespian Society" Act well your part; there all the honor lies."
    Alexander Pope